Mercedes Sosa titled one of her early LPs “Yo No Canto Por Cantar” meaning she didn’t sing just to be a singer. With such a statement, Sosa, born in a remote Argentine province in 1935, told the world that her music had a message. It combined music and politics in a time and place where such a combination was dangerous. Later, when a military junta controlled the country, Sosa found herself spending several years in exile while many of her friends and comrades disappeared, were killed, or simply were harassed into hiding.
Known as both an activist and a singer, Mercedes Sosa was a powerful voice in the Latin America “Nuevo Canción” movement that fused native sounds, human rights, and modern music together. And her music and message took her around the world. She performed at such places as Carnegie Hall in New York, the Sistine Chapel in the Vatican, the Roman Coliseum, and Paris’ famed Teatro Mogador. But she performed even more in rural towns and villages, where thousands would dub her the “voice of the voiceless.”
A prolific recorder, Mercedes Sosa, who died October 4th at the age of 74 in her native Argentina, left behind more than 40 LPs and many recordings of her live concerts. Currently, she has three open nominations for next months Latin Grammy Awards.
When Latino USA’s Maria Hinojosa moved to New York as a student in the 1970s she found a thriving Chilean and Argentine immigrant community. It was here she discovered Mercedes Sosa, who was always more than simply an interpreter of songs.
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Mercedes Sosa – Solo Le Pido a Dios