Chris Fahey returned from war haunted by trauma. But he found an unlikely therapy—salsa dancing. And with it, he found a new family. One of Chris’ first salsa partners became his wife, and he now organizes salsa dancing events for veterans to have fun, meet new people and get away from the past.
Featured image: Salomon Amaya, owner of Amaya Dance, performs with his assistant Daisy Aguilar during the Navy and Amaya Dance salsa workshop. (U.S. Navy photo by Mass Communication Specialist 1st Class Chris Fahey/RELEASED)
A spokesperson for Maná and Los Tigres del Norte told Latino USA that the legendary bands’ viral protest calling for Latinos to unite and “not vote for racists” during a live performance last Thursday at the Latin Grammys was not directed at Donald Trump or any other presidential candidate, even though some band members told Rolling Stone that it was.
The spokesperson’s emphasis to describe the protest as nonpartisan in nature occurred after Maná’s Fher Olvera explained to Rolling Stonethat the decision to use the song “Somos Más Americanos” (“We Are More American”) as “a weapon of protest” was to focus on “what’s happening here with immigration reform and all the xenophobic remarks made by Donald Trump.” Los Tigres del Norte’s Jorge Hernández had also told Rolling Stonethat he was “personally offended” by Trump’s anti-Mexican comments.
When the iconic bands completed their Latin Grammy performance with a banner that was captured and shared on social media, many also concluded that it referred solely to Trump. There was also questions as to whether the banner was planned and coordinated in advance by Voto Latino, the nonpartisan organization that promoted the two bands’ appearance before they hit the stage in Las Vegas and then launched a voter registration page minutes after the performance was over, along with an email sent to the Voto Latino mailing list:
Wow! Are you watching the Latin Grammys? If not, here’s what you just missed. Grammy award-winning bands, Maná and Los Tigres del Norte, just surprised the live audience at the 16th Annual Latin GRAMMY Awards in Las Vegas with a powerful joint performance of Maná’s song, Somos Más Americanos.
The two bands then brought out a banner that read, “United Latinos Don’t Vote for Racists!“, calling for the Latino community to unite against the hateful remarks and instead register and pledge to vote in 2016.
Join Voto Latino, Maná, and Los Tigres del Norte to show the power of our voice and the power of our vote. Visit www.SomosMas2016.com and register or pledge to vote today.
Trump’s name (or that of any other candidate) is not mentioned in any of the text pertaining to the voter registration campaign.
According to both Voto Latino and the bands’ spokesperson, the decision to create the banner and the voter drive came from Maná and Los Tigres del Norte. It was not initiated or conceived by Voto Latino. When asked for comment, Maria Urbina, Voto Latino’s Vice President of Politics and Campaigns. responded via email:
Maná and Los Tigres reached out to Voto Latino shortly before their performance, as they wanted to tie their message at the Latin Grammys to a concrete effort to mobilize the community against racist rhetoric and beliefs. Voto Latino’s goal is to engage Latino millennials to register to vote, and we’re excited to partner with Maná and Los Tigres in this movement. We’re also proud to encourage our supporters to share the powerful message Mana and Los Tigres delivered and to take action.
Latino USA followed up to see if Urbina could clarify certain points about the campaign, particularly the one about Voto Latino being, according to its website, “a non-profit, nonpartisan organization” that “does not support or endorse any political candidate or party.” Urbina has yet to respond to any follow-up due to her travel schedule.
In addition, Latino USAcontacted Univision, the Spanish-language network that broadcast the Latin Grammys, and asked whether the show’s producers or anyone in the network knew in advance that Maná and Los Tigres del Norte would be protesting during the show. Univision declined to comment.
According to sources, show producers were aware the two bands would display a sign at the end of their “Somos Más Americanos” performance, but no one knew what the sign would say.
Our listeners have already started asking us to share the music we featured for this week’s “Dream 9” show, so we decided to publish a little earlier than usual. (You can find all our official music playlists at our Spotify page.)
If you haven’t caught our “Dream 9” show (or want to listen to it again), here is the full episode:
Featured image: Steve Pavey, Hope in Focus Photography, stevepavey.com
Where else can you find a music playlist with Empress Of and Sesame Street? Right here at Latino USA. The following Spotify playlist features music from our “Parenthood” show. For more playlists, give us a follow at our Spotify.
Lorely Rodriguez is a rising star in the indie music world. She performs under the name Empress Of. Her mom, Reina, is a working-class immigrant from Honduras. Growing up, the two didn’t always see eye to eye—when Lorely told her mom that she was going to study music in college, her mom cried in dismay. Then, when Lorely started putting out music as Empress Of and getting buzz on the Internet, she didn’t tell her mom about it until she had to go on tour and couldn’t keep the secret any longer. Lorely tells Latino USA about her mom’s eventual acceptance of her music career, their deep bond, and their deep differences. And about that time her mom crashed her rave.
Empress Of’s debut full-length album, titled Me, is out on Terrible Records now. Check out some of her videos below.
Goth culture. Is it in? Is it out? Do you even care? Hear the stories of three Latinos who found a sense of community in Goth subculture while we try to answer the question of the ages: Why are Latinos obsessed with Morrissey? It’s not just the pompadour.
Marlon Bishop and Fernanda Echavarri take us on a journey through Tucson’s music scene. Although there is all sorts of music made in Tucson, several groups from the city have a what has been called a”desert noir” sound—with influences ranging from pysch rock to spaghetti Western soundtracks and music from Latin America. Tuscon is 70 miles from the US-Mexico border, so it’s only natural that rythmns and instruments from Mexico are very present in the city’s sounds. We feature bands like Calexico, Vox Urbanaand Sergio Mendoza Y Orkestra—any of which make an ideal soundtrack for driving through the desert.
We also added some YouTube videos of the bands our segment discussed.