Archive for the ‘Uncategorized’ Category

Fania Records: Fifty Years Of Sabor

After years of gathering dust, the legendary salsa music label Fania Records is back and revamped under new owners—a private equity company looking to make a mint on classic Latin music. As Fania turns 50, we ask: what future lies ahead for the label once known as the “Motown of Latin music?”

“We gonna take you back to what we were doing in 1986,” says boogaloo star Joe Bataan from the stage.

In 1968, Joe Bataan was in East Harlem recording boogaloo tunes for an upstart Latin music label called Fania Records. Today, Joe is performing in a Staten Island park as part of Fania’s 50th anniversary celebrations happening all summer long around New York City.

A native-New Yorker crowd of all shades has turned out. They’re sitting back in fold-out chairs, dancing, and soaking up the nostalgia. Tony Lopez puffs on a cigar, looking like he’s having the time of his life.

“We’re big time Joe Bataan fans from way back in the day,” says Lopez. “I was a kid when he came out with his music. It was off the hook man.”

The people gathered here aren’t just fans of Bataan. They’re fans of Fania itself, because Fania isn’t an ordinary record label.


The Motown Of Latin Music

Fania records was founded in 1964 by two classic New Yorkers—Johnny Pacheco, a Dominican immigrant who led the hottest Latin band in the city, and Jerry Masucci who was a street-smart lawyer and ex-cop from Brooklyn. They decided to team up and start a record label that could beat-out Alegre Records, the top Latin label at the time.

“They were two dynamic guys, really ahead of their time, and they just captured the industry,”  says Joe Bataan.

Fania really exploded in the 70s, when it became home base for an exciting new musical movement known as salsa.

“A whole new world opened up with salsa, and all of these artists were brought to different levels that they never thought they would achieve,” says Bataan. “The bandleaders were taken out of their leadership roles in the individual bands and put into the Fania All Stars, which became a world wide name.”

Footage from the famous Fania All-Stars concert of 1973 at Yankee Stadium.

Fania recorded just about every great Latin artists of the era: Bobby Valentín, Hector Lavoe, Ray Barretto, Larry Harlow, Ruben Blades, Celia Cruz, and so-on. The label was grossing $5 million a year and commanding 80 percent of the market. But it wouldn’t last.

By 1980, Fania was in serious financial trouble. The label crashed due to a perfect storm of changing music tastes, bad business decisions and interpersonal conflicts. For years, the catalog essentially gathered dust.

Fania Rises Again

In 2009, Fania’s assets were bought by an investment firm called Signal Equity Partners, operating under the name Codigo Group. According to their website, Signal Equity specializes in “leveraged buy-outs, roll-ups, and restructurings.” It was an unlikely match— before Fania, they were buying up rural telephone exchanges. But a guy named Michael Rucker convinced the investors that there was money to be made in classic Latin music.

Rucker is now the chief marketing officer for Codigo group. “There’s this huge opportunity to go out and look at Latin music and Latin catalogs and to roll them up, archive them, treat them with respect, and then to collect on that respect,” says Rucker.

The company bought not only Fania, but 14 other Latin catalogs from the same era, including West Side Latino and Kubaney Records. They now own almost 3,000 records by 200 artists. Taken together, it’s a major chunk of Latin music history.

They fished the master tapes out of old storage units and got the records up on digital services like Spotify and iTunes. They also pressed up new “Best Of” albums, and began selling t-shirts bearing art from classic Fania album covers.

“It’s been working really well for us,” says Rucker.


“This Is Gone Forever”

Meanwhile in the Bronx, things haven’t been working very well for Mike Amadeo, owner of the famed Casa Amadeo salsa record store. The store has been in continuous operation since 1941. But it might not last much longer.

“Business is lousy,” says Amadeo. “Nobody in the music business is going to tell me after 64 years in the music business that this is going to be like it was before. It will never happen again, this is gone forever.”

Amadeo says that in Fania’s heyday, records flew off the shelves—he made $7 thousand dollars a week, more than three times what he takes in today. He says there used to be over a hundred ballrooms with live bands in the Bronx alone. Today, not one is left. And if you ask him about the new Fania owners—let’s just say he’s not pleased.

“Let them buy an American record company, for the English speaking people that know what the hell they doing. They don’t know what the hell they doing,” says Amadeo.

Amadeo was once a shot-caller in the salsa industry, back when everybody involved were friends and extended family from the barrio. He and other old-timers say they feel neglected by the new Fania. Amadeo, for example, says the new owners never once called him up to try to learn from his decades of experience selling music to the community. He says the stuff they are putting out doesn’t make sense.

“What Fania is doing right now is killing the industry. The few people that are left that go to the stores to buy records, they want the original recordings as they came out,” says Amadeo.


Reinvent, or Die

The new Fania isn’t particularly interested in reaching the  people that go to the stores to buy records. For Michael Rucker at Fania, there’s a different audience in mind.

“Now we look forward and we say –how do we take this to a younger audience today,” says Rucker. “Because at the end of the day, if you aren’t reinventing, if you’re not going to find new listeners then ultimately you die. And that’s exactly what we don’t want to happen.”

In an attempt to reach younger audiences, Fania is has been working with DJs and putting out remix albums that sample their catalog. For some members of the salsa community like Mike Amadeo, this amounts to sacrilege—a watering down of a rich musical history. But Joe Bataan, for one, isn’t so sure.

“If you sit on history, it dies. So you got to lift yourself from your seat, let history breath, and pass it on, and then you’ll have a chance with the music,” says Bataan.

It’s unclear whether the new Fania will succeed in reaching the youth— the label won’t share sales numbers, so we don’t know how well they are actually doing. But, says Bataan, at least they are trying, and giving the next generation a chance to decide what Fania means to them.


For a complete list of Fania’s 50th anniversary events, visit
All photos courtesy of Codigo group.

Sabiduría: Melissa Mark-Viverito

We turn this week to New York City council speaker Melissa Mark-Viverito for some words of wisdom, or sabiduría.


This Week’s Music: Nuestro Nueva York

This week’s music includes:


-Songoro Cosongo by Héctor Lavoe

-Cumbia Meguro by Mexican Institute of Sound

-Gimnasia de Cumbia (Waka Waka Titanium Remix) by Dënver

-Everlasting by Polock

-Got Your Money (feat. Kelis) by Ol’ Dirty Bastard

-Todo tiene su final (feat. Willie Colón) by Héctor Lavoe

-There You Go by Fania All-Stars

-Let’s Get it On (Pa’ encima) by Los Rakas

-Luminous Insects by Inventions

-Ponte Duro (Empresarios Dubplate Especial) by Fania All-Stars vs. Empresarios

-Somos Pocos by Laguna Pai

#1432 – Genius Is…

In this episode, Latino USA brings you stories of perspiration and inspiration. First, guest host Daisy Rosario looks into how we define intellgence. We hear about a physics teacher driving success in California. One congressman’s efforts to pass immigration reform just aren’t genius enough. We learn about Latino mega-stars you might not have heard of, online, in soccer, and in music. An ingenious new online platform, Vine, is launching careers and attracting a young Latino audience. Latin@ studies professors form a new professional association. And a singer-songwriter looks for wisdom on a dark note.

Photo by Oli Scarff/Getty Images

This Week’s Music: Genius Is…

This week’s music includes:


-Cariñito by Bareto

-You Were Never There by Diego Garcia

-El Retrato de Mamá by Johnny Albino

-Distraida by Rosa Diaz

-La Casa Abandonada by Franny Glass

-Baby Elephant Walk by The Miniature Men

-Propuesta Indecente by Romeo Santos

-Odio feat. Drake by Romeo Santos

-Dile Al Amor by Aventura

-El Justiciero by Los Mil Jinetes

-Lo Mucho Que Te Quiero by Los Rakas

-La Bamba by Zocalo Zue

-Beware of Men Who Don’t Remember Their Dreams by Rosa Diaz

-Every Time by Natalia Clavier

-Africana by Los Rakas

Hate Groups Fuel Backlash Against Child Refugees

The spike in children coming to the US border has been called a “border crisis” by the media. Protests have sprung up around the country in response to this crisis. Some protesters call it “a border surge of illegal immigrants” while the more extreme groups call it “an invasion” and have vowed to do something about it.

The facts: More than 57,000 children fleeing violence and endemic poverty from Central America have been apprehended at the border. They are then taken to detention facilities and shelters across the country, and over 30,000 have been released to relatives, sponsors or parents, mostly in California, Florida, New York and Texas. 

But the communities where the children and families would be held have erupted in a backlash that has mixed communities with anti-immigration activists, hate groups, and in some cases, militias or militia-type groups.

The first incident was in Murrieta, California, on July 1st, after the mayor made it official that Central American undocumented immigrants would be detained in a facility in the community. This video by David Lane of shows protesters blocking off the road for three buses carrying undocumented women and children.

Since then, other protests have taken a turn for the extreme, with armed protesters rallying in Michigan, Virginia, Maryland and throughout the East Coast.

There have also been reports of militias actively patrolling the border and militia-type groups mobilizing by the dozens to the border, an initiative the Department of Homeland Security’s Customs and Border Patrol has discouraged.

According to Mark Potok, a specialist on hate groups and extremism at the Southern Poverty Law Center, three groups are behind the more coordinated efforts: ALIPAC, Overpasses For America, and the social media campaign #MakeThemListen. They called for a national protest on July 18th and 19th, 2014, in 300 cities across the US. According to Potok, the turnout to the rallies was low, with just 40 making it out to a New York City protest in front of the United Nations.

But the language has been virulent, and the protests called to picket locations like the Catholic Diocese of San Bernardino, Calif., where relief efforts for the children were coordinated, or the Peppersound Campground in Oracle, Az, where  child refugees would potentially be held. The organizers are calling for more protests in early August, in what they call a sustained effort to stop the flow of undocumented immigrants to the country. 

Mark Potok highlighted the role of Fox News in fueling the backlash against efforts to house immigrants. Potok also mentioned the role nativist organizations like the Federation for American Immigration – FAIR, Numbers USA and the Center for Immigration Studies, whose senior policy analyst Stephen Steinlight, said of Obama on his immigration policies: “I would think being hung, drawn and quartered is probably too good for him.”

Potok’s comments echo calls by the Anti Defamation League for civility in debate around the children refugees and migrants. The ADL specifically calls out comments by conservative radio host Laura Ingraham, who asked who would take the blame if “disease is spread across the country” because “the government spreads the illegal immigrants across the country.” The ADL also reprimanded  Rep. Rich Nugent (R.-FL) for claiming that “a lot of these children…quote un-quote…they’re gang members. They’re gang affiliated.”

The Southern Poverty Law Center has labeled ALIPAC and FAIR as hate-groups, a label that William Gheen, ALIPAC’s director, rejected in a letter earlier this year. Gheen also declined to Latino USA’s request for an interview, with the following statement: 

ALIPAC is a peaceful racially inclusive organization and we do not support media or groups designed to divide Americans among racial lines. We reserve our interviews for media designed for Americans of all races and ethnicities only and therefor must decline to interview with NPR Latino USA. We would reject any similar request from any groups or media that were focused on blacks only or whites only or anyone called ‘Caucasian USA’. So we object on our principles opposing racism and we have found that we almost never get a fair report on our positions from employees or companies that owe their incomes to continued or accelerated illegal immigration into America from Latin American nations. Thank you for inquiring.

Fox News has not answered our request for comment. FAIR replied saying Potok’s opinion was not qualified since the Southern Poverty Law Center has no government affiliation.

James Neighbors, from Overpasses for America, did agree to an interview with Maria Hinojosa. We have included the entire interview in the SoundCloud file below the segment.




Mark Potok mugMark Potok is one of the country’s leading experts on the world of extremism and serves as the editor-in-chief of the SPLC’s award-winning, quarterly journal, the Intelligence Report, its Hatewatch blog, and its investigative reports. A graduate of the University of Chicago, Mark has appeared on numerous television news programs and is quoted regularly by journalists and scholars in both the United States and abroad. In addition, he has testified before the U.S. Senate, the United Nations High Commission on Human Rights and in other venues. Before joining the SPLC staff in 1997, Mark spent 20 years as an award-winning journalist at major newspapers, including USA Today, the Dallas Times Herald and The Miami Herald. While at USA Today, he covered the 1993 Waco siege, the rise of militias, the 1995 Oklahoma City bombing and the trial of Timothy McVeigh.


IMG_1638James Neighbors was born on July 12, 1967 in Tacoma, Washington (Fort Lewis), traveled early in his life, before settling in the Norman, Oklahoma area in 1977. James came upon the inspiration for Overpasses for America when he was drawn to an article online about a protest calling for the impeachment of Barack Hussein Obama. With his knowledge of business from past job experience, his understanding of the plight of the working poor (having experienced this himself), Neighbors created the Facebook movement to gather the numbers of patriotic Americans who shared the same hope for a revived nation. 

Cover photo by Sandy Huffaker/Getty Images

Child Refugees: Underage and Alone In Immigration Court

More than 57,000 children fleeing violence and endemic poverty have come to the United States border in 2014 according to Customs and Border Protection. A majority of them could actually qualify to stay in the country under protected status. But more than half of them will not have the legal help to prove it.

A survey conducted by the United Nations Office for Refugees in the US found that as many as 60 percent of these children could qualify as child refugees or some other form of humanitarian relief that would allow them to stay in the United States.  The other 40 percent are economic refugees fleeing endemic poverty or are seeking family reunification. The United Nations has advocated for an immigration procedure that would allow the children to state their cases.

But under the current system, more than half of the children coming from Central America will not have a lawyer or any form of legal counsel to state their cases in immigration court. This is according to an ongoing study by TRAC, a program at Syracuse University that tracks immigration procedures.

Sarah Gonzalez spoke to Stacy Jones,  an attorney at the U.S. Committee for Refugees and Immigrants, about what it’s like to be underage and alone in immigration court.





Stacy Jones is Senior Staff Attorney at the U.S. Committee for Refugees and Immigrants. USCRI’s Immigrant Children’s Legal Program provides pro bono legal assistance to unaccompanied immigrant children in removal proceedings before the various immigration courts throughout the United States. Stacy has previously served as an Equal Justice Works AmeriCorps Legal Fellow at USCRI and worked in private practice, for other nonprofit organizations, and for the Inter-American Commission on Human Rights.  She is also a contributor to The Migrationist, an international immigration blog.  She received her J.D. from American University Washington College of Law, after earning a B.A. in Spanish and International Relations from Lehigh University. She is a member of the District of Columbia Bar and the American Immigration Lawyers Association.

Photo of Southwest Key compound in Lakeside, CA, 2005 by SandyHuffaker/GettyImages

This Week’s Music: ¡Escape!

This week’s music includes:







The Latino Mental Health Picture

People of all backgrounds can suffer from mental health issues, but some groups fare better than others.

Latinos are considered a high risk group for issues like anxiety, depression, and addiction. They are also less likely to get help. The reasons are both internal and external.

We talk to two experts to get an overview of the state of Latino mental health.






Manuel Guantez, Psy. D., LCADC

Dr. Manuel Guantez has served as the Chief Executive Officer at Turning Point since June 2001.

Dr. Guantez received his Bachelor of Arts degree in Psychology from Montclair State University and a Doctorate in Clinical Psychology from Long Island University followed by a Post Doctoral Fellowship at New York University.

In his very early career, Dr. Guantez worked in residential and outpatient addiction treatment conducting individual, group and family therapies, and coordinating programs for some of the more challenging treatment populations, including adolescents and persons with co-occurring disorders.

Dr. Guantez is an international speaker and consultant working with the United Nations to help other countries achieve the gains in combating addiction that we have seen here in the United States. A former U.S. Marine and Presidential Honor Guard, Dr. Guantez brings a wealth of diverse knowledge and experience to our field. He lives with his wife and two children in New Jersey.




Vincent Guilamo-Ramos, LCSW, MS, MPH, PhD

Dr. Vincent Guilamo-Ramos is a professor and director of the doctoral program at the Silver School of Social Work. Dr. Guilamo-Ramos has expertise in the role of families in promoting adolescent health, with a special focus on preventing HIV/AIDS, sexually transmitted infections, and unintended pregnancies. Additional research interests include parent-adolescent communication, intervention research, HIV prevention, and alcohol and drug use. Dr. Guilamo-Ramos has conducted research primarily in urban, resource-poor settings, including the South Bronx, Harlem, and Lower East Side communities of New York City. In addition, Dr. Guilamo-Ramos has extended his focus to HIV-prevention among vulnerable populations in Latin America and the Spanish-speaking Caribbean.

Dr. Guilamo-Ramos is co-director of the Center for Latino Adolescent and Family Health (CLAFH) at the Silver School. Dr. Guilamo-Ramos received his PhD in social welfare from SUNY Albany, and his MSW from New York University. In addition, Dr. Guilamo-Ramos holds a master’s degree in management from the Robert F. Wagner Graduate School of Public Service at NYU and a master’s degree in public health from the Global Health Leadership NYU MPH Program.


Photo by Pascal Maramis via Flickr

Deena and Jay: Living with Depression

Ever since she was a young girl, Deena realized that something wasn’t right – that she never felt happy or comfortable in her own skin. She suffered from depression. But in the South Texas, Mexican-American family she grew up with, there was a stigma around mental illness that prevented her and her family from seeking treatment.

In college, Deena met Jay. They got married, had kids. After each birth, Deena suffered really bad post-partum depression. After she miscarried her third child, things fell apart. Deena’s depression was getting worse. On top of it, her marriage to Jay began to unravel. She decided to try getting on medication.

The doctor prescribed her Lamitrogine (also known as Lamictal), an epilepsy drug with a secondary use of treating manic-depressives. A week later, she developed flu-like symptoms, then irritation in her eyes and throat. She didn’t realize it at first, but these symptoms were the beginnings of Stevens-Johnson Syndrome, a life-threatening condition that often happens as the result of an immune reaction to medication.

With Stevens-Johnson, cell death causes the outer layer of the skin to separate from the body and die, including the the epidermis inside your body and internal organs. Deena has to be airlifted to a military hospital, where doctors saved her life by oxygenating her blood outside of her body for almost a month while she was in a medical coma.

Deena survived. But with various medical complications ranging from damaged eyes to a scarred throat, life is full of new challenges that impact her mental health. While she was under, her husband Jay had to make the decision to put her on the machines that saved her life. Deena says that sometimes she wished he had let her die.

Now they have to figure out how to pick up the pieces of their life and marriage, and raise their kids. Nothing about it is easy.


An Evening with Juana Molina and Mecánica Popular

When: 7pm, July 11, 2014

Where: The Greene Space

44 Charlton Street, New York, NY
(corner of Varick Street)

Buy Tickets by Clicking: Here.

We are teaming up with Soundcheck for a night of live music and conversation with singer-songwriter Juana Molina, psychedelic salsa band La Mecánica Popular, and members ofLabyrinth Theater Company.

The Latin Alternative Music Conference is in town, so join us to talk about music, the art of performance and the state of creativity in Latin America today. Featuring live performances from two musical acts who reimagine Latin roots sounds in extraordinary ways and a behind-the-scenes chat with members of one of the most diverse and exciting theater troupes in New York City:

Juana Molina stands out as one of the most talented Argentinian singer-composers of her generation. Raised in a family of tango musicians, Molina first made her name as an actress, starring in a quirky and popular sketch comedy show titled “Juana y Sus Hermanas.” Since 1996 she has released six albums as a musician to great acclaim in South America, the US and Europe – most recently 2013’s Wed 21. Her music skirts many lines: both experimental and pop, electronic and acoustic, contemporary, yet rooted in Argentinean folk music.

La Mecánica Popular puts a twist on a classic Latin sound: salsa. Led by Peruvian singer and pianist Efraín Rozas, the NYC-based band melds the heavy Afro-Caribbean grooves of salsa dura with the mind-warping textures of psychedelic rock. They replace the classic horn section with fuzzed out guitars and angular synthesizers, ultimately using the idea of “psychedelic salsa” as a meditation on the relationship between the body and the mind in representations of Latin culture. The group’s self-titled debut album is currently out on the Brooklyn-based label Names You Can Trust.

Labyrinth Theater Company was founded in 1992 by a small group of actors who wanted to push their artistic limits and tell new, more inclusive stories that expanded the boundaries of mainstream theater. In doing so, they created a tightly knit, uninhibited and impassioned ensemble that created incendiary and vital new works for the stage that redefined the landscape of New York City theater.

Photo by Marcello Setton

Sabiduría: A Special Olympics Athlete’s Passion

The Olympics may be over, but Special Olympics happen all the time–and that’s good news for 16-year-old athlete David Rodriguez, who loves to compete. For this week’s sabiduría, or words of wisdom, we hear from David and his mother Mercedes Maldonado about the joys of winning, and why Lionel Messi is an inspiration.


David Rodriguez is a 9th Grader from Grand Prairie, Texas. He regularly competes in the Special Olympics Texas in soccer, basketball, track and field and bowling. His favorite soccer player is Lionel Messi.





Photo by Odd Andersen AFP/Getty Images. 




Backwash, A Poem About the Male Gaze

For this week’s Fiction Edition we end on a different note: an audio poem adaptation by Chicago-based radio producer Anthony Martinez, voiced by the poem’s author, Cristina Correa. “Backwash” is a tough lesson about the claustrophobic effects of the male gaze.




Anthony Martinez is a Production Assistant with WBEZ’s Sound Opinions. As an independent producer he’s produced works for Curious City and Life of the Law. In 2012 he was a recipient of The Association of Independent’s in Radio’s New Voice Scholarship.





Photo: “Red-Stare-Cases” by Idamon on Flikr 


Citizenship and belonging: a conversation with Lulú Martínez

Lulú Martinez is a 2013 “Chicagoan of the Year,” an immigration reform activist, one of the Dream 9, and a student at UIC. Maria Hinojosa and Lulú had an in-depth conversation about citizenship, belonging, courage, activism, and leadership.


Lulú Martínez — Latino USA interview at UIC from The Futuro Media Group on Vimeo.


Wednesday, April 16, 2014, 12 pm to 1:30

Rafael Cintrón Ortiz Latino Cultural Center (MC 218)
University of Illinois at Chicago
803 S. Morgan Street

Lulú Martínez is an undocumented queer Chicana from Mexico City and a student at UIC in the Gender and Women’s Studies Department at the University of IL at Chicago. She is also a member of the Fearless Undocumented Alliance (FUA). She immigrated to the U.S. with her parents and brother at the age of three and began organizing after one of her peers was put into deportation proceedings. She helped co-found the Immigrant Youth Justice League (IYJL), a Chicago-based undocumented youth-led organization. Lulú spent two years organizing in the Southeast with the Georgia Undocumented Youth Alliance (GUYA) and Southerners On New Ground (SONG), from whom she learned to apply a feminist theoretical lens into her work and vision. Her shared identities and experiences continue to encourage her to move towards a path of truth-seeking, deep spiritual and political thought and organizing efforts that recognize multiplicities in the spaces she shares. More recently, she participated in the DREAM 9 action and self-deported to Mexico as a way of overcoming physical and imagined borders to help organize a border action in which several families who had previously been separated by deportation were able to return home to the U.S.. She is currently organizing the third Bring Them Home campaign in which 150 families will turn themselves into Immigration and Customs Enforcement (ICE) and ask for re-entry into the U.S. to be reunited with their families.
Maria Hinojosa has a 25-year history as an award-winning journalist including executive producing and anchoring both a radio show and television series: Latino USA, distributed by NPR, and America By The Numbers with Maria Hinojosa, airing this fall on PBS and the WORLD Channels. In 2010, she launched the Futuro Media Group to produce journalism giving voice to a more diverse America.

Hinojosa has reported for PBS, CNN, NPR, Frontline, and CBS Radio and anchored the Emmy Award winning talk show Maria Hinojosa: One-on-One. She is the author of two books and has won dozens of awards, including: four Emmys, the John Chancellor Award, the Studs Terkel Community Media Award, the Robert F. Kennedy Award, the Edward R. Murrow Award, and the Ruben Salazar Lifetime Achievement Award. She is currently the Sor Juana Ines de la Cruz Chair of Latin American and Latino Studies at DePaul University in Chicago, and lives with her husband and their son and daughter in New York.

Campus Map: The Latino Cultural Center is located east of the Richard Daley Library, adjacent to the central Plaza. Map to LCC
Parking: The closest parking facility to the Latino Cultural Center is the Halsted/Taylor Parking Structure located at 760 West Taylor Street. For more information including including rates please see UIC Parking Facilities.
By CTA “L” Train: Take the Blue Line toward Forest Park to the UIC Halsted stop. That is right at Harrison & Halsted. Walk to the campus Quad and the Latino Cultural Center is on the Quad Plaza.

This event was hosted by the Futuro Media Group, producer of Latino USA, and the UIC Latino Cultural Center, and supported by the Ford Foundation.


After condoms, the Intrauterine Device or IUD is the most popular form of birth control in the world. So why do so few women know about it or use it in the U.S? This story looks at the controversial history of the device and why, despite its dark history, American women shouldn’t overlook it.


uch_012920-1Melissa Gilliam, MD, MPH, is Professor of Obstetrics and Gynecology and Professor of Pediatrics at the University of Chicago. She is Chief of the Section of Family Planning and Contraceptive Research in the Department of Obstetrics and Gynecology, Director of the Fellowship in Family Planning and heads the Program in Pediatric and Adolescent Gynecology.



THIS WEEK'S SHOW: In this week's show,…

This Week's Captions: Money...

THIS WEEK'S SHOW: From Puerto Rico to…


Audio visual notes for the hearing impaired.

Join the conversation

© 2015 Futuro Media Group

Contact /

Your privacy is important to us. We do not share your information.

[bwp-recaptcha bwp-recaptcha-913]

Tel /

+1 646-571-1220

Fax /

+1 646-571-1221

Mailing Address /

361 West 125st Street
Fourth Floor
New York, NY 10027