When you grow up at the intersection of two vastly difference cultures, sometimes it can be easy to lose your sense of identity. But poet Xóchitl Morales wants to remind all Latino Americans why it’s important to never forget their heritage.
Morales breaks down her own life journey in a powerfully personal poem titled “Latino-Americanos: The Children Of An Oscuro Pasado,” in a video posted Tuesday on Pero Like’s Facebook page. Her verses detail everything from the loss of her Spanish language fluency as a young girl to the rejection of her Nahuatl name.
“My first language was Spanish, learned from sweet stories told by my papi at bedtime,” she says in the video. “My tongue a formation of the stardust of my heritage, and intertwined galaxy of rolled R’s and the pledge of allegiance. It was something I would soon forget after I was told it was wrong and taught a new way to introduce myself. ‘Mi nombre es’ turned to ‘my name is’ after the girl in my class told me she couldn’t understand me.”
Read more at HuffPost Latino Voices.
Children of Latinia is the story of a young man, mixed-race and caught in between two worlds. Together with his girlfriend, Jocelyn, he creates a motherland for hyphenated-Americans. You can hear the preamble to the constitution of a new America, one that’s stirring all of the good things together.
We begin our first fiction episode with this work by poet Quique Aviles.
Quique Aviles is a poet and performer whose work addresses social issues. A native of El Salvador and a graduate of the Duke Ellington School of the Arts, Quique has been writing and performing in the US for over 20 years. His poetry has been featured on NPR’s “Latino USA” and on subway posters through Washington’s “Metro Muse.” A 1991 recipient of the Washington, DC Mayor’s Arts Awards, he is founder and artistic director of Sol & Soul.
Photo Courtesy of Wikipedia Commons
Mexican American women train to compete in Mexico’s Charro contest, raw poetry emerges from the Brooklyn projects, modernist architecture in Cuba, and an inside look at the masked men of Mexico’s Lucha Libre. These are documentary subjects on VOCES, a Latino arts and documentary showcase on public television. We speak to Sandie Pedlow, executive director of Latino Public Broadcasting.
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Sandie Viquez Pedlow is the Executive Director of Latino Public broadcasting overseeing the development, production, and distribution of public media content that is representative of Latino people or address issues concerning Latino Americans. She brings to this position over 20 years experience in program development, production, and the development of international public media initiatives. Most recently she was Director, Station Relations for PBS Education where she led the implementation and marketing of PBS online and digital media products and services. Prior to PBS, Pedlow was Director of Programming Strategies, Associate Director of Cultural, Drama and Arts Programming, and Senior Program Officer with the Corporation for Public Broadcasting for 10 years. She managed the development and funding of national public broadcasting programs which addressed social and diversity issues, history, the arts and many aspects of American culture. Pedlow was a key member of the CPB team that managed the founding of LPB. Prior to this work, Pedlow developed and produced documentaries, cultural/arts television programs for SCETV and was the U.S. National Coordinator for INPUT, an international public television conference with more than 35 participating